Nejla Yatkin
Dance
Chicago, IL
Described by The New York Times as "a magician, telling tales and creating worlds" and "a fierce and supple performer," Chicago-based choreographer Nejla Yatkin travels around the globe inspiring empathic connection between people and their environments. She creates solos, choreographs ensemble dances for stages and sites, collaborates on plays and film/video projects, and educates young artists. She is the recipient of multiple grants and awards from the Princess Grace Foundation, the Jay Pritzker Foundation, the Turkish Cultural Foundation, the National Performance Network, 3Arts, the Chicago Dancemakers Forum, the Illinois Arts Council, and the City of Chicago, among others.
Nejla hails from Germany and weaves multiple cultural influences into choreographic tapestries of her own design. She explores multifaceted identities in solo creations including What Dreams May Come (2015), an evening-length multimedia piece that explores the spaces between felt and perceived selves with video and original music; it has toured in Latin America, India, Africa, and Russia with support from the Baryshnikov Arts Center and the Princess Grace Foundation. Nejla's new solo project, The Other Witch—a multi-lingual hybrid performance/installation/documentary in response to Wigman’s Hexentanz —exploring Otherness from the perspective of the Other —is supported by the Chicago Dancemakers Lab Award, the City of Chicago's Department of Cultural Affairs and Special Events (DCASE), and the Chicago Cultural Center. It is set to premiere in Fall 2020.
Nejla's transcultural ensemble dances take place in theaters and outdoors. For her 2015 project Dancing Around The World, she travelled to a new country every two weeks to guide community groups in choreographies that surprised and intrigued audiences in urban spaces. The piece traveled to 20 cities internationally since its premiere; a record of the project created with videographer Enki Andrews was awarded the 2018 Silver Palm Award for Best Documentary Short Film by the Mexico International Film Festival. Nejla has choreographed stage works for major contemporary dance and theater companies including the Cleo Parker Robinson Dance Ensemble, Dallas Black Dance Theater, Abingdon Theater, Open Door Theater, and the Washington Ballet; recent projects such as Moving Nature Dreams (2019) and Conference of the Birds (2018) are designed to activate nature areas and parks.
Nejla also shares her deep love and knowledge of dance through teaching. Her body is an encyclopedia of contemporary masterworks: As a principal dancer with Dayton Contemporary Dance Company and the Cleo Parker Robinson Dance Ensemble she has interpreted works by seminal choreographers José Limon, Donald McKayle, Katherine Dunham, Anzu Furukawa, Pina Bausch, and Jiri Kylian. Her technical expertise enfolds Japanese Butoh Dance, Middle Eastern dance forms, pantomime, and acting techniques. Nejla earned tenure while serving as a Professor of Dance at University of Maryland, College Park; she has also taught and created with students at Harvard University, Northwestern University, SUNY Purchase, Webster University, Washington University, University of Notre Dame, and many others. In all her endeavors, Nejla seeks what British philosopher Isaiah Berlin refers to as an “awareness of the deep currents” — a comprehension of the connection between all people.
Artist Statement:
Through dance, I seek what the philosopher Isaiah Berlin refers to as an “awareness of the deep currents” — a comprehension of the connection between all things, an awareness of the present as well as that which transcends time and space. My dances manifest in theatrical dance pieces, durational performance installations, public sites in Nature and cities and short experimental films. During my residency, I will listen, observe and stay open to the natural surroundings of Ragdale to playfully discover new ways of seeing, hearing and moving in the world.